We are delighted to share that Kat’s newest artwork will premiere at the world-renowned Galway International Art Festival in July. ~~ Not Breaking ~~~~This Wave Drowns Hate~~ is an interactive artwork by artist Kat Austen that responds to the crisis of marine microplastic pollution and diminishing ocean health by creating […]
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Finalist for the Digital Art Awards 2025
We are delighted to share that Kat is a finalist for the Digital Art Awards 2025 curated by HOFA (House of Fine Arts) and in partnership with Phillips Auction House, London. As one of the finalists for the Experiential category, Kat’s works How to Touch a Dragonfly and Wing/nets sit […]
WeiterlesenWeather Premium 0.5 at 2025 Venice Architecture Biennale
Weather Premium will feature in the exhibition of the 2025 Venice Architecture Biennale in the Arsenale, exhibited as Weather Premium 0.5, curated by Carlo Ratti. Weather Premium links weather modification programmes, AI simulation technologies and financial weather derivatives. This project is by Luiza Crosman and Eduardo Castillo Vinuesa, for which […]
WeiterlesenLonglisted for Aesthetica Art Prize 2025
We are delighted to announce that immersive installation How to Touch a Dragonfly has been long-listed for the Aesthetica Art Prize 2025. More about How to Touch a Dragonfly. Last year, How to Touch a Dragonfly was nominated for the J+ Art Awards and shortlisted for the Lumen Prize in […]
WeiterlesenWeather Premium at ACC Residency Open Studios
I’m delighted to be part of the team realising Weather Premium, an initiative by Skyscores (Luiza Cosman and Eduardo Castilo Vinuesa). I composed the soundscape. ACC Residency Open StudiosOpening 22nd November 22 Nov – 27 Nov Asia Culture CentreGwangju, KR More Information on eflux More Information at ACC Website
WeiterlesenWing/nets solo exhibition at Oksang Factory Seoul
We are delighted to announce the solo exhibition of Wing/nets at Oksang Factory in Seoul. Drawing on scientific research into dragonfly physiology, the Wing/net sculptures multimedia hexagonal relief sculptures provide windows onto the sensitive bodies of dragonflies, and their unique forms of perception. Combined with fragmented imagery of dragonfly habitats […]
WeiterlesenRelease of Empty Fields | Invisible Transitions at Kiaf onSITE Documentation
We are delighted to share the documentation video from Kat’s performance premiere of Empty Fields in Invisible Transitions at Kiaf onSITE in September. Watch the documentation video here. More about Empty Fields. Many thanks to Jay Jaehoon Bang and Daechul Jeong for their work on this documentation.
WeiterlesenEmpty Fields performance at opening of Ail Hwang’s exhibition
Kat is delighted to be performing a site-specific iteration of Empty Fields for Ail Hwang’s exhibition Restoration. 4pm on 18th October Blanck Gallery, 28 Dokseondang-ro, HannamSeoul Responding to Hwang’s work, Empty Fields | Restoration draws on field recordings gathered by the artists in the neighbouring Bogwangdong area of Seoul, the […]
WeiterlesenResidency at Queen Elisabeth Music Chapel / 5th July Waterloo
Since last year, Kat has been collaborating with bass Andrew Munn and pianist Jacob Greenberg on postWinterreise, a recomposition of Schubert’s Winterreise, a duet between Schubert’s Winterreise and an evolving soundscape of our changing climate, ecology, and society. Kat and Andrew are currently taking part in a two week residency […]
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